I have occasionally worked on commercial projects and always welcome new challenges in the advertising world. My experience includes location shoots and collaborations with fellow creatives to promote their art.

Some of these portraits were inspired by the aesthetics of Hollywood stars’ vintage photographs. I am fascinated by the Star System era and its imagery as, at that time, portraits used to depict celebrities in a godlike fashion. I mostly use low-key photography and the use of chiaroscuro for my portraits. I am interested in the representation of women within natural environments.

There are times in which it feels like being stuck in a dark place, while still being able to see the beauty of the world filtering through the coves of our personal cavern. These are times of stillness, contemplation and introspection. We need to move, yet we feel paralyzed. Something similar in chess is called "Zugzwang". I like playing with the idea that photography is simply the product of light passing through a hole, then turning into stillness.

Moments, details, a rendezvous bringing together past and present.

I am interested in natural patterns as a form of art forged by nature, free from the superficial vanity of human beings. I particularly like exploring volcanic land and reptiles through my work, as they both remind me of the imprint left by a primitive world. For my final major project at university, I created portraits distorted by a mirror-like material, attempting to achieve a ghostly-like painting effect, while also unveiling the feeble nature of our identity, constantly shaped by the Other. The Other's influence is, indeed, uncontrollable.